Wicked

I really enjoyed Wicked, by Winnie Holzman and Stephan Schwartz, especially since I had the privilege of seeing it on Broadway, which by the way, was an amazing production. I loved reading the play, but this is one of the types of pieces of writing where you have to see on stage to really understand how amazing it is. Perhaps my favorite part of Wicked is the twist that Holzman places on the characters. She takes characters like Glinda the Good Witch and the Wicked Witch of the West, as well as other classic personalities from the original Wizard of Oz, and morphs them into something totally unique. She sort of created a prequel to the Wizard of Oz, making paths for all the characters which leads them in the direction of their future roles. I really have not read many books, or plays for that matter, that do that sort of thing with their writing, so I especially enjoyed this twisting and contorting in Wicked. My favorite character in Wicked, was probably unsurprisingly Elphaba. I really got a kick of of Galinda though, who later decides to become just Glinda. But in the Wizard of Oz, Elphaba is really nothing but a menace and basically sets out to harm Dorothy, and she lacks any hint of remorse or humanity. But in Wicked, you get to see Elphaba develop and grow as a character. She goes through a lot of hardships, like being cast away by her "father" and considered a freak when she goes to school because she is, of course, unusually green. This play gives an explanation for why Elphaba turned out the way she did. She overcomes a lot in Wicked, and you get to see that a lot in her song "Defying Gravity", which is absolutely spectacular to hear in person. Elphaba really emphasizes what it is like to face adversity and to be different, while still managing to hold your own as you try to overcome your obstacles. I do think though, as much as I enjoyed this play, that it was rather disappointing how Elphaba ends up becoming the Wicked Witch of the West anyway. But that was sort of out of Holzman's hands, and regardless if she was an enemy in the Wizard of Oz, she was still a pretty "wicked" character. Wicked was, by far, the best thing we have read in Women's Studies, and I really think that regarding this play, Holzman truly outdoes herself.

Evita

I was really looking forward to reading Evita, By Andrew Lloyd Webber and Time Rice, because I am fond of Webber's Phantom of the Opera. I had high expectations before reading Evita, since I knew Webber's work was fantastic. Although I was not disappointed, I was not completely thrilled about the play in general. I did not really like Eva as a character upon first reading the play because to me she seemed overly manipulative and conniving by doing whatever, like sleeping around, to claw her way to the top. And to be honest, as the conclusion of the play, I still could not really stand her. She "seduces" Peron and manages to convince him that she could help make him to the top in Argentina. And I guess, really, she sort of does considering that Peron makes it to president of the country. And from that point on, I really saw Eva not just as a tricky character, but also as one who conflicted numerous times with those around her. It was pretty clear that the upper class (even those in France, Italy, and England) really did not take a fancy to her. Also after her conflicts with these aristocracies, as Che points out, Eva really does use the Argentina people to benefit herself. This was a big reason why I was not too fond of her, even though I really did not pick up on this until Che points it out. Eva promised she would engage in helping the people of Argentina, but when Che accuses her of instead using them to only her success, Eva become somewhat defensive and states that "there is no glory in trying to help the world from the sidelines". Although Peron adored her, and also the people of Argentina, I felt that Webber and Rice were attempting to depict the stereotypical woman; a woman that is manipulative and will do just about anything to achieve what she wants and maintain her success. Although I did not personally like Eva as a character, I do think that her dynamics really helped make the play and added to the story that Webber and Rice wanted. So overall, I really did enjoy Evita, although not as much as other plays we have read this semester in Women's Studies, and I think that the message the writers here are attemping to get across fits perfectly into this story.

Barriers & Rehana Mirza

Barriers, by Rehana Mirza, was something different for us to read, since it was a play that I definitely would not have picked up on my own. But nonetheless, I enjoyed it and would more than likely read more of her work in the future. Aside from Barriers, I was more so thoroughly impressed with Mirza herself. She is a Leopold scholar, a member of a prominent writer's lab, and the recipient of several very influential awards. She herself has a very impressive resume and I think her intelligence was definitely reflected in her writing. Barriers is about a Muslim family who expects their only daughter, Sunima, to come home and announce her engagement. The story is centered around that, but focused much on how Sunima's family must deal with their past betrayals and issues, which eventually boil over. Reading about the Mirza's story depicting the Muslim family, especially considering where our country stands today with Muslims today, was something I enjoyed reading and really gave me a little bit more insight. Since the play was focused around post-September 11th, it kind of depicts how this Muslim family is struggling to inherently be Americans. I was a little empathetic when reading Barriers, because I saw how what this family was going through was true and could cause serious tension and conflict among them. In my own community, I see how, even after so many years after September 11th, people are treating Muslims very differently and also very harshly. I feel like this family in Barriers is trying to overcome the now stereotype for a Muslim, while all the same still trying to keep to their ways. They seemed to me like they were trying to be American, without actually becoming American. It does not really make much sense, but when you really study that phrase, it does. Sumina's family is trying to cope with their own personal issues and "be Muslim", while still wanting to be American. So overall, I really enjoyed Rehana Mirza's Barriers, and thought it was most definitely one of the most well developed plays that we have read so far in Women Studies. I thought that her writing was an extremely in-depth play that not only captivated me as a reader, but also depicted some real life issues and problems that still exist within America today. I was very much impressed and look forward to pursuing more of her writing in the future.

And the Soul Shall Dance & Wakako Yamauchi

I was exited when we were assigned to read And the Soul Shall Dance by Wakako Yamauchi because I was interested to read a work from a Japanese author, since I find their work to have a little more meaning and theme then most others. Plus, it was a nice change from the writers we have currently been reading in class. I really like how Yamauchi focused on two Japanese- American immigrant families during the Depression because she was really able to draw me in as a reader based on the character dynamic she created with her wide range, and very diverse, group of characters. I also liked how she incorporated some of her own personal heritage into the story; to me that made the play more realistic and deep. My favorite family, which probably may not be a surprise, is the Murata family. This family was rather turbulent, but I felt like Yamauchi was able to balance out the whole family with each different character. The father remained as the optimistic one, while his wife Hana stayed the practical and wise one. I felt that both the mother and father greatly impacted their daughter, Masako. Another reason I enjoyed Yamauchi's work was because of the traditional Japanese proverbs. One of my favorite and most thought-provoking lines in And the Soul Shall Dance was when Hana tells Masako, "One has to know when to bend...like the bamboo. When the winds blow, bamboo bends. You bend or crack." In other words, or how I interpreted it, was that life will throw obstacles, complications, and changes your way, but the best way to deal with these differences is to "bend" or shape yourself instead of resisting what life throws at you. And in order to balance this loving and adapting family, Yamauchi included the Okas family, which are clearly not as susceptible to change as the Murata family. I didn't enjoy reading much about the Okas, but I really did feel as though their role in the play was immensely important to the play Overall, I absolutely loved how And the Soul Shall Dance incorporated those types of messages and Wakako Yamauchi is an expert at including these proverbs appropriately. I really enjoyed Yamauchi's work, and even more so enjoyed reading about how the trials and tribulations of Japanese-Americans, and hope to definitely be reading more of her work in the future.